Want to write a guest post for Indies Unlimited? Read this.
“But your poems are rather hard to understand, whereas your paintings are so easy.
Of course — you paint flowers and girls and sunsets; things that everybody understands.
I never met him.
Find out who the poet/painter is.
Do you pity yourself? Bully yourself? Choose to be free:
Attention, American-born poets. Would you like to travel for a year, write poetry, and receive $58K? Check out the details on Amy Lowell Poetry Traveling Scholarship.
“Messy Fun.” Child Photo Competition’s Free Monthly Photo Contest is OPEN FOR SUBMISSIONS, but HURRY: deadline Sept. 30th. Send your pics of “kids playing with mud, food, and everything that makes a mess.”
“…I think there’s value in translating all kinds of things –really popular literature, things that have something to say that might be what I call a brave failure, a book that is trying to do so many things, but it might not quite get there. What it’s doing is important, even if it’s not a literary masterpiece to stand aside all others.” — Dr. Karen Emmerich
Elise Holland, editor of 2 Elizabeths, a short fiction and poetry publication, shares five of the most frequent questions she’s asked. See the questions, and answers.
To write or not to write by hand? Are you a laptop person, or a “fountain pen and leather-wrap journal” person? See/join a discussion.
“And when the flood waters come, and all pretenses are washed away, we’re left with how things are supposed to work, how they naturally are. And it’s a beautiful sight.”
“What I advise you to do is, not to be unhappy before the crisis comes; since it may be that the dangers before which you paled as if they were threatening you, will never come upon you; they certainly have not yet come.” — Seneca, “On Groundless Fears”
Check out this list of contests with September deadlines compiled by The Masters Review.
Find out why I write poetry.
Check out these poetry contests with a deadline of August, 31.
Free Photo Contest, deadline August, 31. Hurry.
“And then, of course, the biggest crime of all was that she had come here only five years ago from Earth, and she remembered the sun and the way the sun was and the sky was when she was four in Ohio. And they, they had been on Venus all their lives, and they had been only two years old when last the sun came out and had long since forgotten the color and heat of it and the way it really was.
But Margot remembered.”
— Ray Bradbury, “All Summer in a Day”
Want to start earning money writing poetry? Check out these tips from Erika Dreifus.
A cool poetry contest to honor San Antonio’s Tricentennial. Don’t miss.
“The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius. Somebody told me once that fugue means to flee, so that Bach’s melody lines are like he’s running away.” — The Art of Theater No. 12 with Sam Shepard (1943–2017)
“Don’t panic, because everything is probably all right, and if it’s not, panicking will make it worse.”
— From “The One Memory of Flora Banks” by Emily Barr
An exhilarating read, equally enjoyed by both my sixteen-year-old daughter and my–going on forty five–self.
“If a grasshopper tries to fight a lawnmower, one may admire his courage but not his judgement.”
― Robert A. Heinlein, Farnham’s Freehold
“I do not miss childhood, but I miss the way I took pleasure in small things, even as greater things crumbled. I could not control the world I was in, could not walk away from things or people or moments that hurt, but I took joy in the things that made me happy.”
― Neil Gaiman, The Ocean at the End of the Lane
“…make sure that there are aspects of your book that you know to the bones. Maybe there is a character inspired by your own mother. Or maybe you are a devoted baker, and your heroine is a pastry chef. It can be a place, an occupation, a way of life.
The point is this: Knowing something profoundly and deeply will free you to write about it in an engaging and authentic way, and in an original voice. Aspiring authors sometimes fear sharing the premise of their work in progress, on the grounds that somebody might “steal their idea.” I don’t think anybody should worry about this. The fact is, if you write from your own life, only you can write your book.”
— Michele Campbell