Summer in the Air
Time is so strange and life is twice as strange
You’re only you, here, now — the present you
Some people turn sad awfully young
Old people never were children
You do things and don’t watch
Shadows running around in the air
Why not let nature show you a few things?
But you got to look at grapes as well as watermelons
Cutting grass and pulling weeds can be a way of life, son
You’ve time to seek and find. No person ever died that had a family
This fine first cool white snow would never melt,
But live a thousand summers
The title and lines are from Ray Bradbury’s “Dandelion Wine” — a book for all times.
“The words were summer on the tongue. The wine was summer caught and stoppered.”
You think your idea is safe? Think again.
Author Pamela Jane shares her story.
His numerous books were rejected by publishers for twenty years, but he went on writing. Be persistent.
When traditional publishing didn’t work out, he turned to self-publishing, and did great. Be open-minded.
He still prefers to work on his cow and sheep farm, and writes at night, or whenever there’s time. Be yourself.
“Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the little faces of the children, whose bodies I saw turned into wreaths of smoke beneath a silent blue sky. Never shall I forget those flames which consumed my faith forever. Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never.”
— Elie Wiesel, “Night”
“Neighbors bring food with death and flowers with sickness and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbors give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.”
― Harper Lee, To Kill a Mockingbird
Well, Hugh Howey does both.
Why not you?
On writing good sex scenes:
“Sex scenes are not about getting aroused. They are about showing how a particular character goes about having sex, what it means, and what happens next.
They might be arousing, but what I really want the reader to do is keep reading, so the scenes have to be narratively interesting and meaningful, as idiosyncratic as any other scene. That means that you have to think about and investigate sex and relationships as frankly and intently as you would anything else that you are writing about (say, changes in the banking rules).
The more you treat it as just another thing, just another interesting thing, the better your sex scenes will be.”
“I don’t mean to be controversial, but I won’t be using a pseudonym (or a symbol).”
— Shannon Kirk