On Formal Poetry & Skin Color

In Vaudeville: Two Acrobat-Jugglers

  • Do you write formal poetry?

You might want to start putting together your submission to Measure Review.

Guided by the editorial vision of Ashley Anna McHugh, Measure Review, an online magazine of formal poetry, will advance the legacy of Measure.

So, if you happen to write a sonnet or two, don’t be in a hurry to publish them on your blog — save them until January, 2019. It’ll be here before you know it.

  • What do you write about?

Love? Life? The universe? You might be doing it all wrong. Check your skin color.

If it’s white, you should–according to Ms. Angela Pelster-Wiebe–write about white supremacy. Why? Because “those who benefit from racism (that’s you) should be on the front lines fighting it.”

Ms. Pelster-Wiebe is apparently a successful author, “a white woman writing about the toxic inheritance of white supremacy.”  Hmm..who’s benefiting from racism now?

You might want to follow in Ms. Pelster-Wiebe’s footsteps and start apologizing in writing for being born white — it’s not unlikely that you’ll achieve publication and success.

The alternative is to have respect for yourself and others, and very likely remain unpublished and unknown. (There’s always self-publishing, though.)

“…authors of all types could simply write what they would like to write because they have not contributed to white supremacy and are in no way responsible for the previous bad actions of white people to which they did not contribute.”

Now go write a love poem.

Image: Charles Demuth. In Vaudeville: Two Acrobat-Jugglers, 1916. Watercolor and graphite on wove paper, Overall: 11 3/16 x 8 in. (28.4 x 20.3 cm). BF602. Public Domain.

 

 

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One thought on “On Formal Poetry & Skin Color

  1. Pingback: One, Two, Whiteness Is Coming for You | sasha a. palmer

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