- Attention, parents of young children!
Is Anastasia Higginbotham visiting your child’s school?
Be advised that she doesn’t travel alone. She brings along a cardboard cutout of Colin Kaepernick — her hero, and a role model–in her opinion–for children.
She kneels beside the cutout while reading her “Not My Idea: A Book About Whiteness”, and messing with your child’s brain.
While she’s at it, she might also want to teach your child about divorce, death, and sex — she’s got books on those subjects as well.
Apparently, Anastasia Higginbotham has chosen the lucrative path of a “white woman writing about the toxic inheritance of white supremacy.”
So brave. So original.
- Want to hear something else brave and original?
“White male entitlement.” Not sure what it means? Just ask Stephen King, a white insanely successful male, and an open mind:
‘If “white male entitlement” was in the dictionary, it could be illustrated by Brett Kavanaugh’s photograph.’
There you go.
Image: William James Glackens. She Gave Her Darter-in-law a Piece of Her Mind, 1909. Brush and ink, charcoal, graphite, black crayon, and white gouache on paperboard, Overall: 10 x 7 3/4 in. (25.4 x 19.7 cm). BF606. Public Domain.
Should you wear a mask when in public?
Should you ever discuss the Great Pumpkin?
What’s the biggest benefit of having a public persona?
Even if you don’t (yet) give interviews, or do book signings, or deliver keynote speeches, etc., it’s not too early to think about your public author persona.
If you’re a writer, if you have a blog, if you’re active on social media — your public persona will protect you, and help you find the audience for your writing.
Here’s more on developing your author persona, and brand.
Go for it.
Image: Pierre-Auguste Renoir. Study of Girls’ Heads (Étude de têtes de jeunes filles), c. 1893. Oil on canvas, Overall: 16 1/4 x 12 11/16 in. (41.3 x 32.2 cm). BF474. Public Domain.
- Want to write a great children’s book? Make it fun for grannies.
Congrats, Craig Smith, you did it! Heehaw!
- Do you write formal poetry?
You might want to start putting together your submission to Measure Review.
Guided by the editorial vision of Ashley Anna McHugh, Measure Review, an online magazine of formal poetry, will advance the legacy of Measure.
So, if you happen to write a sonnet or two, don’t be in a hurry to publish them on your blog — save them until January, 2019. It’ll be here before you know it.
Love? Life? The universe? You might be doing it all wrong. Check your skin color.
If it’s white, you should–according to Ms. Angela Pelster-Wiebe–write about white supremacy. Why? Because “those who benefit from racism (that’s you) should be on the front lines fighting it.”
Ms. Pelster-Wiebe is apparently a successful author, “a white woman writing about the toxic inheritance of white supremacy.” Hmm..who’s benefiting from racism now?
You might want to follow in Ms. Pelster-Wiebe’s footsteps and start apologizing in writing for being born white — it’s not unlikely that you’ll achieve publication and success.
The alternative is to have respect for yourself and others, and very likely remain unpublished and unknown. (There’s always self-publishing, though.)
“…authors of all types could simply write what they would like to write because they have not contributed to white supremacy and are in no way responsible for the previous bad actions of white people to which they did not contribute.”
Now go write a love poem.
Image: Charles Demuth. In Vaudeville: Two Acrobat-Jugglers, 1916. Watercolor and graphite on wove paper, Overall: 11 3/16 x 8 in. (28.4 x 20.3 cm). BF602. Public Domain.
It started as a prayer, “wrote itself” during April, 2018, and by the end of the month–tragically–dedication presented itself.
It feels like a devotional to me. It has helped me, and I hope it will help others as well.
Never despair. Never give up your faith. Never let your soul slumber.
Alleluia, heroic crown of sonnets, for Alfie Evans
P.S. Several people told me they were not sure it’s okay to share the sonnets without my permission. By all means, you have my permission. Please, give credit to the author, and do share the sonnets. Thank you.
Image: Unidentified artist. Christ Carrying the Cross, c. 1460. Tempera and oil (?) with gold and silver leaf on panel, Overall: 29 3/8 x 51 1/2 in. (74.6 x 130.8 cm). BF396. Public Domain.
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