“Curious Wonder” vs. “Critical Judgement”, or Ways to Read Poetry

Reading (La Lecture)

  • Emily Dickinson is nobody’s business but my own. I will not share her with anyone. I would no more tell you about my relationship with her poems than I would tell you about a love affair. If she is yours, I hope you feel the same way.” —  from Mary Ruefle’s essay “My Emily Dickinson” quoted in The Paris Review
  • “Some are surprised that the rigorous analytical approach PG learned to apply to poetry has served him quite well in analyzing contracts and other legal documents.” — from the Passive Guy’s post on The Passive Voice blog

How do you read poetry? Do you as a reader note, for instance, prosody — the patterns of rhythm and sound? In your opinion, should poetry be analyzed? Simply enjoyed? Both? Do share in the comments.

  • Just one more thing (as Columbo would say): head over to Indies Unlimited to vote for your favorite flash fiction entry (will it be mine?). Hurry: the voting closes at 5 pm Pacific time today. Thank you.
  • For some strange technical reason when I post the link to the voting page, it doesn’t open properly: it shows the results, and doesn’t give you an option to vote. So, if you really really want to vote for your favorite entry, please go to Indies Unlimited, open the post ‘Which “Ocean of Sand” Flash Fiction Story Gets Your Vote?’, and vote from there. This should work. Thank you.

And if you enjoyed this post, press those “like” and “share” buttons. Thank you again.

Image credit: Pierre-Auguste Renoir. Reading (La Lecture), c. 1891. Oil on canvas, Overall: 18 1/8 x 22 1/16 in. (46 x 56 cm). BF107. Public Domain.

 

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