On the paralyzing effect of “concrete, defined plans for life,” the glory of change, and the liberating power of play and experimentation.
“The talents and weaknesses we are born with get in the way if we allow them to determine what we can and cannot do. The only thing you really need to be good at is the ability to train yourself to get better.”
— Michael Puett and Christine Gross-Loh (with a nod to Xunzi), from “The College of Chinese Wisdom,” The Wall Street Journal, Review, Sat.–Sun., April 2–3, 2016
“Having fun and letting yourself play can be the key to unlocking that box and freeing your creativity from the beliefs you don’t even realize are keeping you trapped inside.”
— Anne R. Allen, from the post “We are All Prisoners or Our Unexamined Beliefs: Is a False Belief Holding Back Your Writing Career?”
“…an aspect of the ‘Kamasutra’ that has been lamentably overlooked is its strikingly modern attitude toward the role of women in sexual relations. One reason for this ignorance is that the text is known almost entirely through the flawed 19th-century English translation of Sir Richard Francis Burton.
Burton can be admired for the courage and determination it took to publish the work at all (it was banned in England and the U.S. until 1962), but he robs women of their voices, replacing direct quotes with reported speech rephrased by a man, thus erasing their vivid presence. For instance, the text says that, when a man strikes a woman, ‘She uses words like ‘Stop!’ or ‘Let me go!’ or ‘Enough!’ or ‘Mother!’ Burton translates it like this: ‘She continually utters words expressive of prohibition, sufficiency or desire of liberation.’”
— Prof. Wendy Doniger, author of “Redeeming the Kamasutra” and a translation of the “Kamasutra” (with Sudhir Kakar); The Wall Street Journal, Sat/Sun, March 19-20, 2016